Tracks in the snow, painted with subtle touches of blue and pink, lead our eyes to a sleigh about to disappear over the ridge of a hill. The occupants of the sleigh—one outlined in yellow moonlight, the other wearing a red scarf—seem almost incidental in the quiet grandeur of the landscape. This small, unsigned canvas remained in Homer’s studio until his death and was perhaps never intended to be exhibited in public.
Select Bibliography
Stockholm: Royal Academy of Fine Arts.. "Utställning av Amerikansk Konst.". March 15-April 7, 1930.. Sterling and Francine Clark Art Institute. Exhibit Sixteen: Winslow Homer. Exhibition catalogue. Williamstown, MA: Sterling and Francine Clark Art Institute, 1961. William A. Farnsworth Library and Art Museum. Winslow Homer, 1836-1910: Oils, Watercolors, Drawings, Wood Engravings. Exhibition catalogue. Rockland, ME: William A. Farnsworth Library and Art Museum, 1970. Sterling and Francine Clark Art Institute. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1970. Sterling and Francine Clark Art Institute. List of Paintings in the Sterling & Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1972. Hendricks, Gordon. The Life and Work of Winslow Homer. New York: Abrams, 1979. Bowness, Alan. Post-Impressionism: Cross-Currents in European and American Painting, 1880-1906. Exhibition catalogue. Washington, DC: National Gallery of Art, 1980. Faison, S. Lane, Jr. The Art Museums of New England: Massachusetts. Vol. 2. Revised edition of Faison, Guide to the Art Museums of New England, 1958. Godine Guide 3. Boston: David R. Godine, 1982. Faison, Jr., S. Lane. The New England Eye: Master American Paintings from New England School, College, and University Collections. Williamstown: Williams College Museum of Art, 1983. Sterling and Francine Clark Art Institute. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1984. Hall, Donald, and Clifton C. Olds. Winter. Exhibition catalogue. Hanover, NH: Hood Museum of Art, 1986. Murphy, Alexandra. Winslow Homer in the Clark Collection. Exhibition catalogue. With contributions by Rafael Fernandez and Jennifer Gordon. Williamstown, MA: Sterling and Francine Clark Art Institute, 1986. Fairbrother, Trevor. The Bostonians: Painters of an Elegant Age, 18701930. Exhibition catalogue. Boston: Museum of Fine Arts, 1986. Robertson, Bruce. Reckoning with Winslow Homer: His Late Paintings and Their Influence. Exhibition catalogue. Cleveland Museum of Art in cooperation with Indiana University Press, 1990. Junker, Patricia and Philip C. Beam, et al. Winslow Homer in the 1890s: Prout's Neck Observed. Exhibition catalogue. New York: Hudson Hills Press, 1990. Conrads, Margaret C. American Paintings and Sculpture at the Sterling and Francine Clark Art Institute. New York: Hudson Hills Press, 1990. John Wilmerding.. American Views: Essays on American Art.. Princeton (NJ): Princeton University Press.. 1991.. Kern, Steven, ed. List of Paintings in the Sterling and Francine Clark Art Institute. Williamstown, MA: Sterling and Francine Clark Art Institute, 1992. Wilmerding, John. George Bellows: Love of Winter. Norton Museum of Art, Dec. 6, 1997-Feb. 8, 1988; Newark (NJ) Museum, Mar. 7-May 31, 1998; Columbus (OH) Museum of Art, July 10-Sept. 13, 1998. West Palm Beach: Norton Museum of Art. 1997. Field, Sabra. In Sight. Lebanon, NH: University Press of New England. 2004:p. 28. Allen, Brian T. "Sterling & Francine Clark Art Institute." American Art Review: Special edition, The Western Massachusetts Art Trail XVI, no. 3 (2004): 162-169. Simpson, Marc, and Susannah Maurer. Winslow Homer: Making Art, Making History. Exhibition catalogue. Williamstown, MA: Sterling and Francine Clark Art Institute, 2005. Goodrich, Lloyd. Record of Works by Winslow Homer. Edited and expanded by Abigail Booth Gerdts. 5 vols. New York: Spanierman Gallery, 2005. Marshall, Traute M. Art Museums Plus: Cultural Excursions in New England. Hanover, NH: University Press of New England, 2009.
Provenance
The artist, d. 1910; Charles Savage Homer Jr., West Townsend, Mass., his brother, by descent (from 1910, sold to Woodward, before 1918); Dr. George Woodward, Chestnut Hill, Pa. (by 1918–44); [Wildenstein & Co., New York, sold to Clark, 5 July 1944]; Sterling and Francine Clark (1944–55); Sterling and Francine Clark Art Institute, 1955.